Licks by Neck – Night in Tunisia

A wonderfull site which will give you immediate access and knowledge to chords, scales, licks and solos for hundreds of major jazz standards, this includes Night in Tunisia.

With hopefully the courtasy of LickbyNeck, the tab for fingerstyle Night in Tunisia, Visit this site!

A Night In Tunisia played in the key of Dm

E|--------------------------------|--------------------------------|
B|--------------------------------|--------------------------------|
G|-- 6 8-- 6---------- 4----------|-- 6-- 8 6------------ 4--------|
D| 8-------- 8------ 7---- 7------|-- 8-------- 8---- 7------ 7----|
A| 6------------ 5 8---------- 8 6|---------------- 5---------- 8--|
E|--------------------------------|--------------------------------|

E|------ 8-- 6---- 4 5------------|------ 8-- 6---- 5--------------|
B|---- 6------ 6-- 6 6-- 6--------|---- 6------ 6-- 6--------------|
G|-- 6------------ 5 5-- 7--------|-- 6------------ 5--------------|
D| 8-------------------- 7---- 7--| 8------------------ 7 9 7------|
A| 6-------------- 5-------- 0----| 6-------------- 5 8-------- 8--|
E|-------------------- 5 7--------|--------------------------------|

E|------ 8-- 6---- 4 5------------| 5 6 5--------------------------|
B|---- 6------ 6-- 6 6-- 6--------| 8---- 8 4---- 3----------------|
G|-- 6------------ 5---- 7--------| 7------ 6-- 6 4----------------|
D| 8-------------------- 7---- 7--|-------- 5---- 3----------------|
A| 6-------------- 5-------- 0-- 7|-------------- 5----------------|
E|-------------------- 5 7--------|------ 5------------------------|

E|------ 8-- 6---- 4 5------------|------ 8-- 6---- 5--------------|
B|---- 6------ 6-- 6 6-- 6--------|---- 6------ 6-- 6--------------|
G|-- 6------------ 5 5-- 7--------|-- 6------------ 5--------------|
D| 8-------------------- 7---- 7--| 8------------------ 7 9 7------|
A| 6-------------- 5-------- 0----| 6-------------- 5 8-------- 8--|
E|-------------------- 5 7--------|--------------------------------|

E|------ 8-- 6---- 4 5------------| 5 6 5--------------------------|
B|---- 6------ 6-- 6 6-- 6--------| 8---- 8 4---- 3----------10--13|
G|-- 6------------ 5---- 7--------| 7------ 6-- 6 4----------------|
D| 8-------------------- 7---- 7--|-------- 5---- 3--------------13|
A| 6-------------- 5-------- 0-- 7|-------------- 5----------------|
E|-------------------- 5 7--------|------ 5------------------------|

E|--------------------1110--------|--------------------------------|
B|----13--10----------1010----1310|11----------10--11--------------|
G|12------12----1211--1111----1111|12----11--12--121010-- 9--------|
D|--13----10------10----------10--|1212--12-------- 8---- 8--------|
A|12----------------------------10|------10--------10------------10|
E|--------11------10--------10----|------------------ 9-- 8--------|

E|------------------ 9 8 8--------|--------------------------------|
B|11---- 8---------- 8-- 8--11-- 9|10------ 8------ 8---- 6--------|
G|10----10----10 9-- 9-- 9 8 9-- 9| 9----10--10-- 9 7-- 7 6--------|
D|1111-- 8 8-- 8 8----------11--11|--10--10--10--10 8-- 6 5--------|
A|-------------------------- 9-- 8|---------------- 7--------------|
E|------ 9 9 9-- 8----------------|-------------------- 6 5--------|

E|------ 8-- 6---- 4 5------------|------ 8-- 6---- 5--------------|
B|---- 6------ 6-- 6 6-- 6--------|---- 6------ 6-- 6--------------|
G|-- 6------------ 5 5-- 7--------|-- 6------------ 5--------------|
D| 8-------------------- 7---- 7--| 8------------------ 7 9 7------|
A| 6-------------- 5-------- 0----| 6-------------- 5 8-------- 8--|
E|-------------------- 5 7--------|--------------------------------|

E|------ 8-- 6---- 4 5------------| 5 6 5------------------------ 5|
B|---- 6------ 6-- 6 6-- 6--------| 8---- 8 4---- 3----------------|
G|-- 6------------ 5---- 7--------| 7------ 6-- 6 4----------------|
D| 8-------------------- 7---- 7--|-------- 5---- 3----------------|
A| 6-------------- 5-------- 0-- 7|-------------- 5----------------|
E|-------------------- 5 7--------|------ 5------------------------|

E|------ 5------ 5---- 5-- 5-- 5--|------ 5------ 5------ 5-- 5-- 5|
B|-- 8------ 8---- 8-- 8-- 8------|-- 6------ 6------ 6-- 6-- 6----|
G|---- 9------ 9---- 9---- 9------|---- 6------ 6------ 6 6-- 6----|
D|--------------------------------|--------------------------------|
A|---------------------------- 6--|------ 6-------- 6---- 6-- 6-- 5|
E| 0------ 0---- 0---------- 0----|--------------------------------|

E|-------- 5------ 5---- 5-- 5-- 5|-------- 5------ 5---- 5-- 5-- 5|
B|---- 6------ 6---- 6-- 6-- 6-- 6|---- 6------ 6---- 6-- 6-- 6-- 7|
G|------ 7------ 7---- 7 7-- 7-- 6|------ 6------ 6---- 6 6-- 6----|
D|------------------------------ 5|-------- 5------ 5---- 5-- 5-- 5|
A|-------- 5------ 5---- 5-- 5----|--------------------------------|
E|--------------------------------|--------------------------------|

E|-------- 5------ 5---- 5 5-- 5--|------ 5------ 5---- 5-- 5-- 8--|
B|---- 7------ 7---- 6-- 6 6------|-- 5------ 5---- 5-- 5-- 5-- 8--|
G| 7---- 7------ 7---- 7-- 7------|---- 6------ 6---- 6 6-- 6-- 7--|
D|-------- 5------ 5------ 5-- 5--|------ 5------ 5---- 5-- 5------|
A|--------------------------------|---------------------------- 8--|
E|--------------------------------|--------------------------------|

Gears, guitar & Amps used by Joe Pass

Fender Jazzmaster      

Joe Pass

Joe Pass used to play this guitar during his stay at theSynanon Center in California, where he tried to kick drugs. After 15 months in Synanon Joe Pass recorded Sounds of Synanon in 1961 together with Arnold Ross, another Synanon resident. During his stay Joe Pass didn’t have a guitar of his own, he used this Fender guitar that was owned by the Synanon Rehab Facility.

The Fender Jazzmaster was first introduced in 1958 and was originally marketed at jazz guitarists. The Jazzmaster wasn’t embraced by the jazz musicians however, but it became popular amongst surf rock guitarists.

Gibson ES175

This Gibson guitar, the Es175, was the main guitar of Joe Pass. He got one for his birthday from a guy named Mike Peak in 1963, who saw Joe Pass playing jazz on a solid body (the Fender Jazzmaster).

 

 

Gibson ES175

 

Other jazz guitarist who played the Gibson ES175: Jim Hall, Pat Metheny, Wes Montgomery (in the early days), Kenny Burrell

D’Aquisto Guitars
 In 1970 Joe Pass started using a D’Aquisto guitar. The guitar was built specifically for Joe.

Other jazz guitarist who play a D’Aquisto: Jim Hall.

Ibanez

From 1980-90 Joe Pass was under contract with Ibanez. It is said that Joe didn’t really like the Ibanez guitar and didn’t perform on it that much. Most accounts from people in the United States from this time period have Joe playing the D’Aquisto, but many reports from other countries say Joe played the Ibanez. The speculation is that Joe played the Ibanez rather than travel internationally with his D’Aquisto.

Joe's Ibanez

The Ibanez Joe Pass was discontinued pretty quickly and suffers a reputation for a thin tone due to it’s pickup placement. 

Other Guitars

-Gibson L5
-Gibson Super 400 

 

 

 

 

Guitar Amplifiers

Polytone Mini Brute

 

 

 

Polytone Mini-Brute Amp

A very compact guitar amp, 110 watts through a 12″ speaker.

Other jazz guitarists who this amplifier: Jim Hall, Herb Ellis, George Benson

 

 

 

Night in Tunisia – Fingerstyle solos

Fingerstyle solo.

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Jazz links, magazines & Web stations

The Global Jazz Art Collection    - Statement  - Paintings - Artist - Link - Documents - Jazz/linkpartners - Jazztalent/webstation - Jazznetwork/webstation - Archives/webstation - Jazzsound/webstation  - Jazzart/webstation - Jazzvideo/webstation - Jazzclubs/webstation - Jazzfestival/webstation - Jazzlabels/webstation - Jazzmagazines/webstation - Portrait Gallery - Searchengines/webstation  - GlobalTravel/linkpartners - LifeStyle/linkpartners

Jazz magazines /webstation Jazzimprov.com  Downbeat.com  Allaboutjazz.com  Jazziz.com  Jazzonln.com  Jazzweekly.com  Jazztimes.com  Jazzguitarlife.com  Mississippirag.com Jazzconnect.com  Jazzit.it  Umbriajournal.it  Jazzcolours.it  Hothouse.be  Jazzhainaut.be  Birdlives.com Chicagojazz.com  Jazzthing.de Jazzimagazine.com

Bb Mineur mélodique

Gammes pour Night in Tunisia

Oups, merci Jacques . Quand ça vient d’un pro, c’est toujours exellent. A vos keyboards, keys et manches

Fender Amps – Pro Reverb AA165 layout & serial number

Pro Reverb AA165 (blackface) serial number by year
A00100 to A02700 – 1965
A02700 to A09200 – 1966
A07000 to A10200 – 1967

Pro Reverb AA1265, AB668, AA1069, AA270 (silverface)
A10000 to A10500 – 1967
A10500 to A12000 – 1968
A12000 to A13300 – 1969
A13400 to A14500 – 1970
A14500 to A15000 – 1971
A15000 to A15600 – 1972
A15600 to A17200 – 1973
A17200 to A19700 – 1974
A19700 to A20000 – 1975
A20000 to A21500 – 1976

from Greg Galiano

More serial numbers and productions data at 20th Century Guitar Mag

(or here:  Dating Fender Amps )

If you need to change your Tubes…You’ can find all Tube Amps Overhaul Kits at Torres Engineering

Blackface schematics:

Accords pour Cold Duck Time

Quelques accords pour Cold Duck Time.

Fa 7 9+

Une gamme à essayer: Db Majeur lydien

Jazzy channel (Deezer)

Bonjour, 

un nouveau lien vers Jazzy channel à gauche, toutes les versions et interprétations de nos standards hebdomadaires, sur Deezer; à ce jour:… Cold Duck time, Night in Tunisia, Cold Duck Time, Morning Dance, Ishmael….

Gammes pour Night in Tunisia

Quelques examples de gammes allant avec D- sur Night in Tunisia

 

D minor Harmonique

Dm Harmonique

 

 

Quelques autres scales allant avec Ré mineur, pour Night in Tunisia

D pentatonique mineur, A blues, C Majeur Ionien, Fa Majeur Ionien, Ré mineur harmonique, C Majeur Ionien,  La mineur harmonique,  B Pentatonique majeure

Fa Majeur Ionien

 

F Major Ionien

Obama Guitar

 

Obama guitar

Un grand jour pour les Etats-Unis, la victoire de Barak Obama. En l’honneur de son élection, et de la part des Guitar Collectors, le killer pin des supporteurs d’Obama.

Le badge Guitar Obama de democraticstuff.com

Larry Carlton & Sapphire Blues Band – Sapphire Blue

Larry Carlton & Sapphire Blues Band – Sapphire Blue
envoyé par Delta_Mike

Amazing, Amazing!    Lets spice things up a bit with guitarist extraordinaire Larry Carlton, aka “Mr 335″. Larry is one of the most in demand session guitarists in the business, his tasteful lines having graced hundrends of albums, Steely Dan’s, Joni Mitchell’s, Billy Joel’s and Quincy Jones’ among them. His amazing guitar solo on Steely Dan’s “Kid Charlemagne” from their 1976 LP “Royal Scam” is voted by Billboard as the third best solo in rock! In this set of vids Larry is caught live in Paris in 2004 with his outfit of late, hard blowing Sapphire Blues Band, a combination guaranteed to tear the house down . This one’s “Sapphire Blue” a slow, blues – based number, a style that Larry Carlton excels at.

Music 2.0 Logos

For the geeks………..

 

Music 2.0

………… and the music and high tech aficionados