funics

Marcos Valle – O cantor e o compositor (1965)

In Album, Summer Samba on December 28, 2013 at 11:52 am

O Compositor e O Cantorcantor1

1965 on Odeon (SMOFB-3413)
Reissue in 2011 on EMI (026461-2) (SET 026447-2)1 Gente (Paulo Sérgio Valle, Marcos Valle)
2 Preciso aprender a ser só (Paulo Sérgio Valle, Marcos Valle)
3 Seu encanto (Paulo Sérgio Valle, Pingarrilho, Marcos Valle)
4 Passa por mim (Paulo Sérgio Valle, Marcos Valle)
5 Samba de verão (Paulo Sérgio Valle, Marcos Valle)
6 A resposta (Paulo Sérgio Valle, Marcos Valle)
7 Deus brasileiro (Paulo Sérgio Valle, Marcos Valle)
8 Dorme profundo (Pingarrilho, Marcos Valle)
9 Vem (Luiz Fernando Freire, Marcos Valle)
10 Mais amor (Paulo Sérgio Valle, Marcos Valle)
11 Perdão (Paulo Sérgio Valle, Marcos Valle)
12 Não pode ser (Paulo Sérgio Valle, Marcos Valle)
Bonus tracks
13. Vamos pranchar
14. Deus brasileiro (instrumental)
15. Não pode ser (instrumental)Marcos Valle – voice and piano
  • Eumir Deodato – arrangements, orchestrations, piano and organ
  • Sergio Barroso – bass
  • cantor2Wilson das Neves, Dom Um Româo – drums
  • Nelson Ângelo – acoustic guitar
  • Rubens Bassini – percussion
  • Hamilton and Maurílio Santos – trumpet
  • Edson Maciel – trombone
  • Jorginho – alto sax
  • Jt. Meirelles, Walter Rosa – tenor sax
  • Aurino Ferreira – baritone sax
  • Produced by Milton Miranda
  • Musical direction – Lyrio Panicalli

This album is a leap ahead of his first album and situated firmly in jazz-bossa with some traces of innovative pop that would become more prominent in his work later. It also has what is may be the most perfect composition of his entire career: “Preciso aprender a ser só” (I Need To Learn To Be Alone). “Samba de verão is undoubtedly the most reinterpreted song in his catalog, recorded by a bunch of other artists afterwards includes several version of English.. “Deus brasileiro”, “Dorme profundo” lush and shimmery and wonderful. A lot of the same ‘heavy hitters’ from the debut are playing on this album too, with the added bonus of Wilson das Neves and Dom Um Romão on the drums. Also notice a young Nelson Angelo on acoustic guitar. Anybody know who is playing flute on this album (perhaps one of the saxophonists doubling on flute?) — they are not credited in the notes. But kudos to this reissue project for including musician credits in the first place, as these earlier Odeon releases did NOT include ‘backing musicians’ in general, although arrangers usually took pride of place.brazilsamba

Listen to how HARD the ensemble swings on “Seu encanto” and it ought to put to rest any remaining critics (are they any still living?) who thought bossa nova was overly-influenced by or even ‘imitating’ North American jazz: this song is equal to anything recorded elsewhere in its jazz credentials. Goddamn the ruffing is amazing. Just wish I knew who played the flute on it. The tune “Vem” qualifies for this premium category.

The bonus tracks feature the B-side “Vamos prenchar” which was released on the single (compato) for ‘Samba de verão’, and the instrumental takes of “Dues brasileiro” and “Não pode ser”.

Amidst all the greatness on the record, the tune “Dorme profundo” is very special  as the ‘sleeper’ cut that somehow distills the best of what the album has to offer.

The back of the album jacket had original liner notes by Paulo Sérgio which unfortunately are only reproduced in microscopic form in the CD artwork. But I’ve taken the liberty of translating them here:brazilSambaBossaNova

“”Marcos composes in the middle of the night. For this reason his sambas have the flavor of ‘saudade’ for the end of night, waiting for the day to be born. They are songs of love, that demand poetry in the lyrics in place of shouts of revolution, as some people want. It is true that sometimes this exremely lyrical composer has his moments of realism, like in “Gente”, for example. But without capitulating to some type of pre-fabricated formula. It is what we would like to call “lyrical realism.” As a singer, Marcos creates a contagious intimacy. There is nobody better suited to sing his own songs, that come to us still warm from his heart. It is one of the privleges of the singer-composer. On this album we again have the partnership of Marcos and Eumir Deodator, arranger of choice. They are two friends united by a perfect musical identification, by talent, and by the seriousness engraved on everything they do. Here they put into practice what for so long they have studied: the union of heart and technique. In the orchestration of Eumir and the singing of Marcos is the voice of poetry.” -Paulo Sergio Valle, original liner notes

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